His 2018 highlights include directing and presenting 'Land of Hope', a massive concert in Auckland Central featuring the Waitakere Voices Choir, Auckland Youth Symphonic Band, and Kumeu Blend Choir; placing in the top three in the Douglas Lilburn Composition Prize Concert; singing with Bach Musica in the Dvořák Stabat Mater and Christmas Concert; and recording solo and ensemble performances at the New Zealand National Concert Band Association Festival in August.
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Pop Up Globe
Playing for Auckland University's Summer Shakespeare performance of the Tempest, in the first ever season of the Pop Up Globe Theatre.
Pictured playing trombone, as well as flute, french horn, oboe, and cymbals.
Land of Hope
Land of Hope - a collaboration with Waitakere Voices Choir, Kumeu Blend Choir, and Auckland Youth Symphonic Band.
Directing this show was a heap of fun.
Pictured here introducing a new piece.
Bach Musica Chorus
Bach Musica, under the direction of Rita Paczian, have asked Alexander to sing bass on several occasions.
Highlights include 2016's Verdi Requiem, 2018's Dvořák Stabat Mater; and the 2018 Christmas concert.
Pictured here in the back row, third from right.
Waitakere Chamber Voices perform at Selwyn Heights Retirement Village, 2017.
Note this is not the full choir!
Promo material for West City Band's 2017 concert 'After Dark'.
Photo credit: Dispersion
Having fun with layering soundtrack elements for the video game ERIK. Massive orchestra + beating drums = too much fun!
Auckland University's graduation parade - pictured here among the music graduates walking down Queen Street, Auckland, to the capping ceremony.
In the Presence of Heroes
Conducting the combined forces of West City Band, Waitakere Voices Choir, and Kumeu Blend Choir in the final WW100 ANZAC week concert at the Bruce Ritchie Performing Arts Centre in Massey, Auckland.
Christmas Lights, 2018
Playing euphonium on MOTAT trams with Luke from West City Band. Providing Christmas carols and other festive tunes for tramgoers.
"The name's Alexander. Just Alexander."
The Nest (multimedia)
Featuring Christina McDonald, with words by Dragan Atanasov.
'The Nest' takes a look at isomorphism - in this case, every visual 'thing' in the video corresponds directly to (and is controlled by) a 'thing' in the sounds - so there's a 1:1 relationship going on between sound and visuals.
I originally wrote 'The Nest' to challenge leading academics Wanderley (2000) and Clarke & Davidson's (1998) papers on the subject - and in a nutshell proved them (mostly) right.
Morning to Mourning
In collaboration with Caroline Norman (viola).
Morning to Mourning was a project looking at live electronics and lighting - and the relationship between the two and the player.
Loosely, there are a number of scenes: Night (notice the moon) --> Morning --> Underwater --> Psycho --> Death - each of which has its own unique sound. This is a stereo reproduction of what was a fully 3D immersive experience, with sounds coming at the audience from quite literally everywhere in the room.
Angels of Obsidian
In collaboration with Emma McNab (flute).
"Angels" is a work for solo flute and live electronics - in which the electronics are controlled purely by the performer!
The performer's position on the stage, the angle of the flute, the roll of the flute, and the performer's relative height all control different elements of the music.
"Sounds of Space" is a collection of animations by NASA, showcasing fascinating space phenomena.
I've set a couple of these to music; in this example I've used only one 'instrument' - a choir developed by Spitfire Audio in conjunction with Eric Whitacre.
Keep Your Lamps
Waitakere Voices and Kumeu Blend Choirs sing 'Keep Your Lamps' in St Luke's Church, Remuera, in our concert 'Land of Hope'.